The Empire Writes Back: Theory and Practice in Post-Colonial Literatures

Bill Ashcroft, School of English, University of New South Wales; Gareth Griffiths, Department of English, University of Western Australia; Helen Tiffin, Department of English, University of Queensland



Why should post-colonial societies continue to engage with the imperial experience? Since all the post-colonial societies we discuss have achieved political independence, why is the issue of coloniality still relevant at all? This question of why the empire needs to write back to a centre once the imperial structure has been dismantled in political terms is an important one. Britain, like the other dominant colonial powers of the nineteenth century, has been relegated to a relatively minor place in international affairs. In the spheres of politics and economics, and increasingly in the vital new area of the mass media, Britain and the other European imperial powers have been superseded by the emergent powers of the USA and the USSR. Nevertheless, through the literary canon, the body of British texts which all too frequently still acts as a touchstone of taste and value, and through RS-English (Received Standard English), which asserts the English of south-east England as a universal norm, the weight of antiquity continues to dominate cultural production in much of the post-colonial world. This cultural hegemony has been maintained through canonical assumptions about literary activity, and through attitudes to post-colonial literatures which identify them as isolated national off-shoots of English literature, and which therefore relegate them to marginal and subordinate positions. More recently, as the range and strength of these literatures has become undeniable, a process of incorporation has begun in which, employing Eurocentric standards of judgement, the centre has sought to claim those works and writers of which it approves as British.[2] In all these respects the parallel between the situation of post-colonial writing and that of feminist writing is striking...

© 1989 Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. Reprinted from Bill Ashcroft, Gareth Griffiths, and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (London and New York: Routledge, 1989) 2-12. ISBN: 0-415-01209-0 (print version); 0-203-40262-6 (electronic version). Orders for the book can be placed via the web on: or [email protected]. The book is also available in electronic format, for details please contact or This excerpt is reprinted with the permission of Taylor & Francis.

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